A blinking of Kronos, imprisoned god, has
it made possible that in these times in which the gods seem to have withdrawn,
it is still possible for us to find a sacred work like that of the last
Minnesänger, don Miguel Serrano Fernandez. His work summons us in a personal
way, and the lights of the Ghost Ship are lit to lead us to the invisible
archipelagos and islands of the Chilean south towards the promise of
Antarctica. Driven by our dreams, we let ourselves be immersed in his
fascinating mythological polyphony that always finds a counterpoint in our
inner voice that, note to note, begins to remember the ancient song, then we
enter that gothic cathedral that elevates his poetic-symbolic language speaking
from the unconscious to refer us back to the infinite resonances of his text,
so fecund that, finally only that cathedral of the word suffices to shelter
this conception of the sacred.
In order that this might be possible, that
the God who is only an instant barely touching the dwellings of men, could
clarify what until 1945 continued being the preliminary, the obscured, the
blind obedience of the Loyal Ones to the Will of the God who incarnates, Wotan,
had to call the peoples of Europe to the battlefields, thus breaking the unreal
borders of the European nations, founding the unity of the European Spirit in
the magical and heroic battle against that brutal godless materialism, created
by the powers of the corrupting Demiurge. That sacrifice was necessary so that
a bilocation of space-time occurred in the Antarctic continent, allowing
Meister Serrano to extract a narration from the memory of the blood and from
the remembrance of what he could see…
The recovery of an Aryan Weltanschauung was
the gift of the hidden god granted to Meister Serrano, a Weltanschauung and not
a new universal religion, because the hero of this final cycle does not need a
new religion, even less absolute truths that are foreign to a true sense of the
sacred. We speak of an Aryan Weltanschauung that must be understood as an
inheritance and a calling, a “simple and grandiose” Vision of the World which
contains the meaning of existence for the whole Indo-European peoples, because
the “spiritual causal nexus impregnates the blood causal nexus” (1), and in this
epoch that corresponds to us carrying it out to its finish, the myth of the blood
that has been consecrated to the hope for the last god, in turn impregnates our
cultural, philosophical, and historical values and finally determines the
structure of the interior-exterior reality. The myth of the blood refers to the
divine origin, because the blood is the Golden Cord that unites us to the
origin understood as the foundation of spiritual consciousness. For this
reason, the powerful modern idea of the physical race, so fought by the enemy,
"becomes necessary to transmit the memory of pure blood and the nostalgia
of the origin," Meister Serrano tells us, although at the same time we are
invited to go beyond the origin, because there is no longer an origin, but only
nostalgia …
It is from the pure source of this
Weltanschauung of the blood that the absent god spoke to that poet and magus
that was open to the manifestation of a god, for only a god could illuminate,
act and speak to the interior of the open visionary man, says the SS mystic Otto
Rahn. The visionary is the poet, the only one able to see and hear, a
privileged disciple of the god of the storm, who is the god of the poets,
Wotan, and it is through the work of the Walker of the Dawn that today we are able
to access a Revelation for our time and origin, the Serranoist Revelation known
since 1978 as Esoteric Hitlerism. We are before the astonishing fact of the
unveiling of that which remains as non-evident, an Aletheia which is
articulated only from the blood, like a voice that whispers the secret of the
runes, in the poetic and symbolic language that was typical of the ancients, in
such a way that it is possible for us to apprehend what was revealed from
another type of knowledge and to know and affirm its authenticity and
transcendence, which otherwise, without that reading of the soul, because it is
the soul that teaches before the mind, would be only an outstanding literary
work, but devoid of all transforming power.
The heart of the Serranoist Opus was
expounded in a definitive way in “Manu, for the Man to Come” (1991), as a
Revealed Cosmogony that is direct heir of the representations of Indo-European
polytheism and its ancient truths and doctrines, being thus the undertone of
them all. The light from which everything springs, is revealed through the
non-predicative truths expressed by the European paganism, so attractive by the
beauty that was able to take shape and the inspiration that it could illuminate
even in times when it seemed defeated by that “misunderstanding of the ancient
doctrine”(2) that was Christianity, as a strategy of the enemy. But while the
Cosmogony has links with the eminently social religiosity of our ancestors,
this “new religiosity” does not lead to the creation of a civil religion,
because he and she need to access that
which is behind religion and what is anterior to religion, that is, the
revelation of the divine powers to reach the transmutation of human nature,
which is confronted with the strangeness of the world and the anguish of
existence in the realm of crucifixion. Thus the polytheistic Wotanism becomes a
mystery in Orphism, and the Orphic mystery becomes alchemy of transmutation in
the Tantrism of Shiva.
The mythical cosmogonic account presented
by Meister Serrano, as he insistently tells us, is an update of various myths
that converge in a dialogical relation of gods and heroes, who seem to
paradoxically incarnate and acquire new meanings in historical time, bringing
to view a reality not feasible by a profane reading. With his creative, metaphorical,
and poly-mythic method of exposition, drawing upon multiple sources within the
Indo-European framework, attributing new meanings to a leading protagonist
group of divinities that transform into perfect reflections of one another,
divinities that become more understandable to the current psychic life, by way
of the mysterious play of words, even accessing the Kristic myth, recovering
the solar legend underlying the falsification, to re-link this narrative to the
archetype of Wotan, which, through its multiplicity, is capable of containing the
invisible unity of the manifestation of the god who incarnates, the Avatãra.
From here we enter into the mystery of the
Orphic conception that merges with the doctrine of A-Mor of the Minnesänger,
which in the new look both perfects and sublimates the ancient concepts by
revealing a final meaning to the partition of the Cosmogonic Eros, the wound
and dance that is the beginning of the existential pain of El and Ella, the
loss of purity and the subsequent exodus, because at the beginning was not the
word, at the beginning was the aggression that initiated the Cosmic War.
Remembering another heretic, we would say that, it is the self that begins with
a fissure and a revelation (3)…
The Hitlerist cosmogony represents for us,
in a poetic way, an ontological vision that surpasses monism and the
destructive dualist ontology that distinguishes between creator and creature.
The Cosmogonic Eros, the Brahm-anda, establishes reality by antonomasia, beyond
all determination, a prior reality, anterior to the chaos, the pain, to the
decoupling. We remain settled in the center of the Aletheia, which is the
Selbst, to “invent” a possibility of going beyond the Egg, beyond the already
lost paradise, because the ultimate aim of Esoteric Hitlerism is the real
possibility of immortalization which is granted to the hero and to the warrior
virgin in the exaltation of the Self into an Absolute Self through the
practices of magical A-Mor, the Minne or A-Mor,
which establishes a mode of intersubjective relationship of spiritual,
magical and alchemical character. “Zeus is half…”, Orphism tells us, for only
Medea, the woman magician, will make it possible for Jason to recover the
golden fleece, because without the sacred woman, the woman of the superior
type, keeper of the Graal, and she herself the Graal, we will remain as half.
It is here where the Revealed Cosmogony demonstrates its extraordinary
greatness, because not only is it possible to achieve “the never dreamed of” in
the Absolute Man, but also in the Absolute Woman, not forgetting that the
greatest mystery of the Archetype is its amazing unity, for “it shall be enough
for just one her to be saved in Him, for all the rest to attain it with her…” (4)
It is the definitive combat for an epoch
when there are no longer collective, external solutions, where the beautiful
gods have withdrawn leaving the sky empty, where the sense of time imposes to
return to the immobile center whence all impossible dreams are possible, where
one finds the path of the return to Hyperborea, where one dies and is reborn in
the contemplation of the disrobing of Isis. The Hitlerist Cosmogony returns to
the superior man and woman, the possibility of recovering the divinity of the
first partition, but, as something never dreamed of by even the gods themselves
in their silence… Remembering the words of the sacrificiced one in the cruel
pyre, the martyr born in the path of the hero, "God is not known: we
become gods." (5)
Only a minority of our people will be able
to see the middle path, all of them submerged in the hypnosis of the progress
and the devices of “technology”, as in the illusion of a national awakening
that will never come, the path of the few will illuminate to those few, who in the
midst of this hell will cultivate self-care and incessant spiritual combat. We
must be attentive, for it will be in these times after the passage of the god
over the heads of men, when everything tends to confusion and deception, when
every man believes himself a prophet of his grain of truth, that the Revealed
Cosmogony, this Aryan Weltanschauung recovered to face the scientific and
religious materialism, will be the target of the greater efforts of the
Demiurge in order to “corrupt, denature the form and meaning of the
Revelation”(6). It is for this reason that a select minority of faithful youth,
who have already been called around the world, is imposed with the permanent
task of keeping the inextinguishable flame of the only truth that can be such
for us, thanks to the inheritance of our ancestors, the inheritance of the
National Socialist fathers, the inheritance of the heretics and pagans of other
times… There is no return, there is no forgiveness, “Humanity would sink into
eternal darkness, it would fall into a dull and primitive state…” (7), prophesied a
faithful heretic, because in the last Great War, the supremacy of the Aryan
cosmogonic order was disputed and that order was defeated in these lower realms
and the eternal enemy today has the freedom to destroy their only paradise and
to devour the visible Sun.
It is the Avatãra and not a man who reveals
the Cosmogony that announces his own return from the future, mounted upon his
white horse and in the night of time will come, because “Only a God can save us. The only possibility left to us, in
thought and poetry, is the availability for the manifestation of that God or
for his absence in the catastrophe: that we decline before the absent God" (8).
Wolfram von Odal
(ADA)
Schastell Marveille, February 24, 2017-CXXVII
_________________________
References
1. Rahn.
2. Celsus.
3. Cioran
4. Serrano
5. Bruno
6. Serrano
7. Goebbels
8. Heidegger
_________________________
References
1. Rahn.
2. Celsus.
3. Cioran
4. Serrano
5. Bruno
6. Serrano
7. Goebbels
8. Heidegger
