To leave Eternity and enter space-time presumes a mutation. Orpheus has already lost his Eurydice. He sees her draw away into infinite spaces, decreasing in size, falling prisoner in the Eternal Return within the belly of Kronos, so that only a 'meaningful chance' or 'a law of solidarity' will allow him to find her with her loosened from the green placenta, from the Green Thunderbolt. And HE-SHE has kept a part of his He in order to go in search of his her. It is very difficult for us here to capture what this Drama of the partition of the Orphic Egg is. Orpheus tells us in symbols: Night was a bird with great black wings that let drop a shining silver Egg that only Sacred Night could look at directly. Above this Egg was the Sky, below Okeanos, which was also Chaos. On breaking open there escaped from the Egg a Being of golden wings, Eros, Love, who made the Sky and Kaos couple, giving rise to the Universe. It is not possible with the rational mind to understand the 'reason' for the partition of the
Primordial Egg, Protogonos, the Monad, Purusha, about which the Samkya philosophy of India speaks. Nor with (Judaized) mathematics, although perhaps quantum mathematics, applied by a gnostic mind, may help. Only Music (Orpheus was a musician) in the sense given her by Schopenhauer of Archetypes moving through time. In effect, an Orphic Mathematics, an Archetypal Mathematics, of Archetypal Numbers that is the true Music. The music of Bach. So it is that with The Art of Fugue one can pre-sense, pre-capture the partition of HE-SHE and SHE-HE. And the flight of she and he. This Drama and this Nostalgia. For one thing Orpheus was a musician who enchanted all of Nature, the mountains, rivers, trees, animals and birds with his songs. As was Krishna and the same Wotan, Maestro of the musicians of the Runes and poets, the Runenlauteren, Armanen. Runes are Orphic numbers and the archetypical notes of Odin. As in all initiation stories, the Orphic Myth also has more than one level, there being a very secret plane only revealed in Eleusis by the Priests and Priestesses of the caste of Eumolpidae. Only Hesiod lets be known something of it when referring to the coupling of Zeus with his second sister, Demeter, to give birth to her only daughter, Persephone. Nothing of this was spoken in public, since Demeter is the wife of Poseidon, or at least so most believe. Thus did the uninitiated disciples of Orpheus tell the story. The deep Mystery was revealed in its esoteric sense only at Eleusis. So Professor C. Kerénye tells us in his work on the Greek Gods that he sent dedicated to me. As well as the Myth of the partition of the Orphic Egg, Erikepaios, the Cosmogonic Eros, understood in the way now done by our Cosmogony. Because this is and was a Hyperborean Revelation. The numbers known and used today are Semitic and serve to add, subtract, multiply, divide, as conditions of the rational mind, but they do not serve for the unus mundus. There are, however, other numbers, the Roman for example, that do not serve to add, subtract, multiply nor divide. And with these numbers and with some other type of calculation the Romans built their aqueducts and bridges, the Incas and Atumarunas their cities, the Maya and Toltecs their pyramids, and the men of pre-History, the Great Bahrathas, their Vimanas.
