Partition of the Orphic Egg: HESHE and SHEHE

 Orphic Myth tells us this Mystery. Though our cosmogony expands and perfects it. The Orphic Legend tells us about the partition of the Cosmogenic Eros, Phanes, Erikepaios, dividing himself into man and woman. And Plato explains the Myth. The Primordial Being was round, whole, sufficient in himself, an androgyne. In truth, a star, the Anthropos.  An is man (Andes, An-dalucia) and Tropos is form. Even though round, the star carried within the form of an androgynous man. The Archetype of Man is found within the seed atom of the Cosmogonic Egg, wrapped in this Circle which is a Vimana, a UFO, the Vehicle that empowers him to travel by his own immobility: Vough, the Unmoved Mover of Aristotle, the inside of a Pole, the Axis around which the Star, fixed in his eternity, spins. Eros, on dividing under the influence of the doom-laden Demiurge, makes the Divine Man lose his Divine Woman. Yang loses his Yin, the positive his negative. And this begins the Drama and War, transit, exodus, desperate pilgrimage, the search through the demiurgic spaces and times, because God has lost his totality, his complete number. In the Introduction of NOS: Book of Resurrection I have attempted to describe the Drama of this first partition, the loss and search through times, spaces and Rounds of the Eternal Return. The partition of the Primordial Egg and pain of loss. Also in my book ELELLA: Book of Magic Love. I called the Orphic Egg by the name HE-SHE (or ELELLA) where He and She become fused,
united. Under the effect of the demiurgic explosion, or making use of it, s he separates and goes out through the Wound, f rom his side in the Androgynous Egg. So it went, beginning to slide towards unfathomable depths, towards dark, far away Universes.  She comes to be. Gnosticism knew of this misfortune, as narrated in the Pisti Sophia, a manuscript that has come down to us incomplete, after the burning    of the Library of Alexandria. She appears as a female Aion who has come down from rarefied heavens, remaining a prisoner in search of knowledge, wisdom. Until Xristos came down to rescue her. Yet it seems the feminine principle that emerges from HE-SHE lacks ontological reality, real immortality, since only He has those qualities within the Egg of HE-SHE, where the positive masculine principle prevails, as a masculine Androgyne, of Yang type. This Mystery was also partially known by medieval Christianity, under the Hyperborean-Germanic-Barbarian influence, coming to doubt and question the immortality of Eve-woman. In the Drama that here concerns us, her immortality depends exclusively on Someone who searches for and rescues her, the XristosHe, unable to find her nevertheless. All this is revealed in extremely ancient unknown runic texts and a certain gnosticism that is not dualist. Our Cosmogony gleans this and perfects it. Genesis, the antediluvian document that has been distorted by the Jews, tells us something about it in the story of Lilith and Eve. But our Cosmogony completes the Orphic Myth with the idea of SHE-HE (ELLAEL), as well as HE-SHE (ELELLA). If HE-SHE is an Androgyne, with his integrated feminine principle, SHE-HE is an Androgynous, with her masculine principle interiorized. In the first Yang, the masculine, predominates, and in the second, Yin, the feminine principle. And if HE-SHE loses a part of his her, in the division of the Cosmogonic Egg, SHE-HE then loses a part of her him. And both must begin the search through strange Universes, made of other matter and vibrations, to recover each other. Or instead remain there hoping to return, as on the edge of a Fountain. Around the Fountain of Castalia. For our Cosmogony the understanding of this Myth has been received from the most ancient Minnesänger, who in turn inherited it from the Hyperborean bards. This was also sung by the Lycian poet Olin, and preached by the Hyperborean priestesses of Apollo, in Delos: Allouine, Arges and Opis. Then Greece forgot the songs, with the mixing of Dorian blood with the Ionians. But the Germans have always been those who have carried them in the memory of pure blood, in the ritual of Magic Love and the veneration of the Woman-Maga, the hero's companion, the Valkyrie.
With the coming of the divine to search and fight within the demiurgic Universe a division must arise between the beings that inhabit this Universe. One part have a divine origin, the other lacks ontological reality. There is a third, of which more later, the animal-men