What object would the demiurgic corruption have, better known as 'the Creation'? Apparently only one: to feed its 'creator.' Everything devours itself: stars, galaxies, animals, and plants. In the end the Demiurge himself is the one who eats his creation, the cannibal, on completing a Kalpa in the Götterdämerung. He eats even the Gods, already entered into Time. Therefore Germanic mythology shows the Demiurge as a Wolf that swallows everything in his dark jaws. The Fenrir Wolf. This Wolf, after the Twilight of Universal Energy, must definitively die as well for lack of food, except for the Gods made prisoners who are immortal and remake themselves after a dream of eternity. And because 'Eternity is Time in reserve.' Eggs, Gods, Purushas still undivided and not imprisoned. The Demiurge-Wolf knows it and that is why he extends, while he can, his corruption that men call 'Creation.' The prisoner God, making possible the beginning of everything over again, is Kronos-Saturn, in endless repetition of the same due to the limited energy (limited creative imagination) of the Demiurge, who never creates from Nothing and only badly copies and corrupts a pre-existent Creation invisible to him as it is to the humans. He has petrified Creation with his superimposed plagiary, with the evolutionary gravitational explosion. Here we have the causes of Eternal Return and its unalterable laws. In the Circle of Eternal Return the Gods have fallen prisoners, to serve as food for the VampireWolf, deceived Gods and Neutral Angels. And this is where the Warriors of Celestial Asgard have arrived, from the Pre-Cosmic Hyperborea of the Green Thunderbolt, dividing their primordial Eggs, renouncing their completeness to be able to fight in the world of the pairs of opposites, in the dimension of Time. They immerse themselves in the Circle of Eternal Return to be able to unleash there a combat in which they wager their eternity, their immortality and the recovery of their 'she,' their completeness. The step (leap) from one existence to another is equivalent to entry into another state of consciousness, a change in mental status. And this is instantaneous. Seen from here, from this space-time, from the slowest energy, in the belly of Kronos, the event must be seen as the appearance of a UFO, from immeasurable distances. Perhaps Werner von Braun said the 'Flying Saucers' come from the most distant galaxies of this Universe for this reason. Subject and prisoner of the Eternal Return, already mixed with the 'daughters of the earth,' losing the strength and power to get out by the same door as when he entered, the hero, Vîra must turn within this Circle, forced into births, deaths and returns like beings without divine origin. It is a law of the Eternal Return, due to the limited demiurgic energy, that each new Round offers fewer possibilities of triumph and liberation. Less energy and a shorter life. From the Golden Age, from
the Satya-Yuga to Kaliyuga, the Iron Age. And yet to come must be the Age of Lead, total enslavement, the Fourth, or Fifth State, without possibility of salvation for anyone. Nor of reunions. [The magic 'Pocket' of the 'Hero Yuga' will only be possible in the most critical moment of Kaliyuga, like a briefest mirage of the return of a Golden Age: the Hitlerian Third Reich.] Nietzsche referred to the Eternal Return as a mechanical consequence of this Universe. But he also spoke of a Full Noontide of Revelation, together with the Rock of Zarathustra on the Mountain, where he received the instant experience of the Eternal Return of the Same. And Nietzsche intuited the possibility of something never dreamed of by the greatest utopians and of Universes not governed by laws of mechanics, perhaps by no law… He never came to tell us more, since he went mad, blinded by the beams of one of his Gods in the service of the Demiurge who trembled before the immense danger of his Revelation. And of he who could deepen it. But Adolf Hitler continued what Nietzsche had left unfinished. And so Esoteric Hitlerism shows us the way out for the Hero in combat with sword in hand exactly in the moment of the Revelation of Full Noontide when the Three Paths of Zarathustra appeared (Ida, Sushumna, Pingala?) next to the Rock (lapis?) of Revelation. Because on experiencing the Eternal Return one must attempt everything once and for all with the power of Will, since never again in the successive Rounds will an opportunity like this again present itself with equal intensity of consciousness and because the Revelation has been made possible by a bi-location of space and time, or perhaps by an unexpected assist sent to us by the imprisoned God Kronos, the Divine Analogue, informing, running backwards in a simultaneous blink of an eye, taking advantage of some careless oversight of the Demiurge's own insane pride, sure of having already won everything. Kronos knew He would also be freed by our triumph like Prometheus by Hercules on the Rock of the Caucasus. For Nietzsche, as for Buddha, it is not necessary for people to have souls to be able to return to this world after a time in death, owing to the mechanical repetition of Eternal Return. The original Buddhism of the Shastriya warrior, Gautama, Prince of North India, who came to be the Buddha, one of the avatars of the Aryan Nordic-Polar, white and blond God Vishnu (Buddha is a category, a principle, like Kristos, or Cinche among the Araucanians), his experience had a greater similarity with the Nietzschean Eternal Return than with the metempsychosis and reincarnation of Dravidic India, for the dark-skinned. As the Eternal Return is a Circle that rotates within Time, perhaps like in one of those Tibetan paintings where within the belly of a demon the 'Wheel of Life,' the repetitions, or returns must refer more to substance than to form, which could change through the different stages of Return, or what we have called Rounds. The argument would be the same (return of the same), with the costume changing. A same Circle could narrow through Kalpas, Manvantaras and Yugas, or a descending Spiral. Thus there would be room for reincarnation in the Eternal Return, in distinct bodies or clothes, even when the history would be the same in its meaning, its theme and its invariable development. Only the corporal form, that like a garment would change its epoch, its surroundings, but not the spirit of these forms, the Meaning. So I would have lived the same Archetypal History of a reunion and death of the A-Mada, there, among the ice that destroyed Hyperborea, in the Nordic forests of patriarchal holm oaks, in Cyclopean cities, now the Gobi Desert, in Himalayan snows, in Atlantis, Lemuria, Tiahuanacu, the most ancient Egypt, in Greece, the European Middle Ages and also on the slopes of the Andes, in the vicinity of the icefields of Antarctica. But only now, repeating History, has my self been aware of its experience, reaching up to the revelation of Eternal Return. And I know in this Full Noontide I must judge myself all in an instant, taking advantage of a b link of the God Kronos. The storyline of History is archetypal. Already experienced and suffered in another Round by 'someone' who also felt himself 'I' as I feel myself today; the difference of form, if there were one, in truth does not matter, since I have become conscious of an Eternal Motif through myself. And the Archetype, being one and indivisible, though dividing itself into several, makes the self
incarnated in the time of another Round be 'I' myself, in the Self, the Selbst, in the Eternity of the Archetype, now become conscious, now attained, touched. And thus as reincarnated inside the Eternal Return a fixed number of times, also with archetypal numbers, given to me and that correspond to my Noontide and are my Tuning Fork. Within them is given me to conquer or disappear. Within them I play Resurrection and Immortality. These fixed reincarnations by my Numbers are my Family House, my Lineage, which has now reached its Full Noontide in the Nietzschean Revelation on the Rock of Zarathustra. And if I do not go forth in a 'sigh of Time,' by the blinking of Kronos, reaching something never dreamt of, then it is possible but not certain that the Archetype would return to incarnate once more in the same Self, 'possessing it' in the immensity of another Kalpa, another Manvantara or another Yuga. But with less force. We penetrate into the essence of this Mystery: what reincarnates and returns is not a 'self,' but a HE (that in triumph will be WE), he is an Archetype, a Myth, a Legend, an Archetypal History. And in the experience of this Mythic History, the self that suffers it and incarnates it comes to feel as if it were he who returns, participating in his eternity. And in that way Nietzsche, in a moment of supreme lucidity, before entering into his Night (blinded lightening-struck by surprised Kronos-Saturn), declared himself Dionysus, Caesar, Christos (Kristos-Baldur) and 'the Crucified.' He knew he had been all of them. And he still was them. Just as I will have been Orpheus in search of Eurydice and Dante, looking for his Beatrice and Hölderlin after Diotima, desperately trying to resurrect Allouine.
